本动画由狂丸娱乐出品。本片采用8-bit像素游戏的画面与音乐，还原了经典香港电影《大话西游》，用另一种方式诠释了“爱你一万年”“OnlyYou”等经典桥段。

本动画由狂丸娱乐出品。本片采用8-bit像素游戏的画面与音乐，还原了经典香港电影《大话西游》，用另一种方式诠释了“爱你一万年”“OnlyYou”等经典桥段。

文学作品里的虚构菜式，味道究竟如何，全靠读者自行想象。其实，将这些虚构菜式在现实中烹饪出来也并非不可能。节目主持邀请了星级厨师，从电视剧集、电玩游戏、卡通动画、文学名著里寻找创意灵感，发掘其中提到的特色美食，再凭借名厨的精湛厨艺，把这些看似不真实的菜式“还原”。那些天马行空的料理真的能被烹制出来吗，还是仅仅是创作者的幻想食物？该节目将引领观众走进虚幻与现实交织的料理世界！

文學作品中的虛構菜式，大家可有推想過是甚麼味道？作者筆下的美食，味道如何，全憑讀者意會；如果要在現實中煮出來，也並非全無可能。 主持請來星級廚師，從電視劇集、電玩遊戲、卡通動畫、文學名著中尋找創意靈感，發掘內裡提到的一些特色美食，並透過名廚的巧手，將這些看似不真實的菜式「還原」。究竟那些天馬行空的料理可會真的可以烹製？抑或只是創作人的幻想食物？ 節目引領觀眾投入虛幻、現實交織的料理世界！

Klein filmed the meetings, barricades, debates, lectures, and the occupations in universities during May 1968.

Melvyn Bragg explores the relationship, from 1911 to 2011, between class and culture.

Melvyn Bragg explores the relationship, from 1911 to 2011, between class and culture.

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang